This is a blog post full of obvious advice for handmakers who would like to sell through a shop like Wise Daughters. Obvious, and yet today I have had at least two faux-pas committed that kind of boggle the mind. So here goes. Six simple rules for breaking into retail:
1. Take 1 minute to go on my website (or that of any other retailer you want to approach). If you visit www.wisedaughters.com, you'll find a page called "Info for Makers" that tells you what to do. Easy!
2. While you're there, please find out my name so you can use it when you email. My name is not "Hi there" and especially not "Hi there!!!"
3. Do not send ME an email that tells me how badly you want to get your work into, say, Arts on Queen. Proof-read, please.
4. Do not try to promote your product by telling me it's better than what I already carry. Nothing is more off-putting than an artist who disses craft, or other artists' work. And for all you know, that object you're critiquing could well have been made by me!
5. Do not pitch stuff made in Poland, China or anywhere else.
6. After I've said no, for whatever reason, please do not expect an hour of free consultation about where/how to sell your product. I have a class on that very subject, for which I charge a small fee. There are also lots of other resources at your disposal.
Remember, selling is all about the relationship.
Wednesday, 5 October 2011
Tuesday, 27 September 2011
Sept 27, 2011 - Good Packaging
One of the topics I touch on in my Art of Selling workshops is packaging. This in the context of branding, but there are several other important considerations too, like choosing sustainable materials while creating a professional look.
I thought I'd take a minute to share a few really good examples.
1. Melissa of Ladeebee/Vintage Baby Revival has taken the humble luggage tag and turned it into an affordable, simple and eye-catching packaging tool. She also uses them to tag her knitwear, so there is consistency. Look how cute! With very little effort, her product is ready to present as a gift. The only info on the back is her website, which is really all that's required much of the time.
2. Adrianne of Vintage Love needs to go that extra step and put her switch plates in a small plastic bag to keep them clean and to enclose the accompanying screws, but the bag is just the size of the product to keep waste to a minimum. What's fun about this packaging is the language on the back. Adrianne lists ingredients, directions and the following tip: "Sit back relax and enjoy your fresh and funky piece of nostalgia!"
I thought I'd take a minute to share a few really good examples.
1. Melissa of Ladeebee/Vintage Baby Revival has taken the humble luggage tag and turned it into an affordable, simple and eye-catching packaging tool. She also uses them to tag her knitwear, so there is consistency. Look how cute! With very little effort, her product is ready to present as a gift. The only info on the back is her website, which is really all that's required much of the time.
2. Adrianne of Vintage Love needs to go that extra step and put her switch plates in a small plastic bag to keep them clean and to enclose the accompanying screws, but the bag is just the size of the product to keep waste to a minimum. What's fun about this packaging is the language on the back. Adrianne lists ingredients, directions and the following tip: "Sit back relax and enjoy your fresh and funky piece of nostalgia!"
3. Katie of Eclectic Media Artist makes owls so cute they pretty much sell themselves, but if a buyer needs a nudge, this is it: a simple cardboard tag that gives Katie's website and says "(happily) made in Canada." Brilliant. Suddenly the buyer is happy too. Made in Canada is a key message for artisans to share (or Made in Toronto if only locally available).
4. Leila Cools puts her fused glass jewellery on simple cards, but creates a consistent and attractive look by fabricating her own stands for shows and shops. Not only does a retailer like me appreciate a ready-to-go display, but it gives Leila control over her brand. Repeat customers can see at a glance what they want.
The package needs to be an extension of the product in look and feel. Using as few words and as little material as possible, you need to present your brand, make it easy to find you, and tell buyers what they need to know (contents, care, etc.). The extra thought and time that goes into packaging will absolutely pay off.
Thursday, 15 September 2011
Sept 15, 2011 - Welcome Wise Daughters Wear
Yesterday was the photo shoot for the first product in what I hope will become a line of Wise Daughters Wear. Six fabulous volunteer models trotted over to Phillipa C Photography in the Junction; here are a couple of the group shots:
I could not be happier! Everybody looked and felt comfortable in the pyjamas/loungewear, and they beautifully showed off how flattering Wise Daughters Wear looks on different body shapes and sizes. The models ranged in age from 20 - 62, and I hope women within and beyond this wide age range will enjoy the design.
Wise Daughters Wear gets its official launch Sept 24 here at the shop. I'll make my famous carrot muffins. Buy or order in person that morning and you'll get 25% off.
After Sept 24, Wise Daughters Wear will be available online with shipping across Canada.
Yippee!
I could not be happier! Everybody looked and felt comfortable in the pyjamas/loungewear, and they beautifully showed off how flattering Wise Daughters Wear looks on different body shapes and sizes. The models ranged in age from 20 - 62, and I hope women within and beyond this wide age range will enjoy the design.
Wise Daughters Wear gets its official launch Sept 24 here at the shop. I'll make my famous carrot muffins. Buy or order in person that morning and you'll get 25% off.
After Sept 24, Wise Daughters Wear will be available online with shipping across Canada.
Yippee!
Wednesday, 7 September 2011
Sept 7, 2011 - Express Yourself through Art Journaling
A number of people have asked me to explain what happens at Art Journaling (starting up next week and happening monthly this fall). I realize I should take a stab at describing why it's such a delightful way to spend an evening.
Anna Redish teaches this class; one thing you should know about Anna is that she gets more excited about craft supplies and techniques than anybody I know - and I know some very crafty people. Another thing you should know is that Anna is never without an art journal on her person. She started making them out of tissue paper so she could always have one in her bag or pocket. Anna believes in the power of self-expression, and in striking while the muse is with you. She also believes in being prepared for creativity. She told me to read Twyla Tharp's The Creative Habit, which I did, and I immediately identified some ways Anna has applied Twyla's advice. Advice about how to overcome your fear of the blank page (or studio), how to build your skills so you'll be ready to implement ideas when they strike, and how to challenge your assumptions about the way things work, so you'll be willing to try something else when they don't work.
So what do we do in art journaling? Well, it's a lot like regular journaling, in that it is uncensored and all about the process. Making marks on the page, not judging the finished product. Sometimes we do write. My favourite activity was when Anna fired us up to write a rant, as full of expletives as we liked. We wrote in 4 directions, rendering the finished page illegible. We put a finish coat of colour over top too, just to be sure our secrets were safe. Sometimes Anna gives us a starting phrase and we write from there. Here's an example:
One night we wrote ourselves letters on a particular theme and learned how to fold them up like this:
Another time we learned photo transfer, and I had fun making pictures of 40s stage actors from an old theatre magazine appear in my journal. And one night we played with paint and bubble wrap, entertaining our inner children no end.
This fall, Anna will be sharing all kinds of techniques for applying marks to a page - all of which are great to use in other projects - but the best part will be in the doing. Focusing on artistic expression as a way of silencing the chatter in your head and being in the moment.
This workshop series is offered on a sliding scale to help make it accessible to everyone. Whether you're an artist looking to unblock your creativity, or somebody who wants to explore your artistic side without any pressure to be able to draw or paint a certain way, I really encourage you to give this time to yourself.
Anna Redish teaches this class; one thing you should know about Anna is that she gets more excited about craft supplies and techniques than anybody I know - and I know some very crafty people. Another thing you should know is that Anna is never without an art journal on her person. She started making them out of tissue paper so she could always have one in her bag or pocket. Anna believes in the power of self-expression, and in striking while the muse is with you. She also believes in being prepared for creativity. She told me to read Twyla Tharp's The Creative Habit, which I did, and I immediately identified some ways Anna has applied Twyla's advice. Advice about how to overcome your fear of the blank page (or studio), how to build your skills so you'll be ready to implement ideas when they strike, and how to challenge your assumptions about the way things work, so you'll be willing to try something else when they don't work.
So what do we do in art journaling? Well, it's a lot like regular journaling, in that it is uncensored and all about the process. Making marks on the page, not judging the finished product. Sometimes we do write. My favourite activity was when Anna fired us up to write a rant, as full of expletives as we liked. We wrote in 4 directions, rendering the finished page illegible. We put a finish coat of colour over top too, just to be sure our secrets were safe. Sometimes Anna gives us a starting phrase and we write from there. Here's an example:
One night we wrote ourselves letters on a particular theme and learned how to fold them up like this:
Another time we learned photo transfer, and I had fun making pictures of 40s stage actors from an old theatre magazine appear in my journal. And one night we played with paint and bubble wrap, entertaining our inner children no end.
This fall, Anna will be sharing all kinds of techniques for applying marks to a page - all of which are great to use in other projects - but the best part will be in the doing. Focusing on artistic expression as a way of silencing the chatter in your head and being in the moment.
This workshop series is offered on a sliding scale to help make it accessible to everyone. Whether you're an artist looking to unblock your creativity, or somebody who wants to explore your artistic side without any pressure to be able to draw or paint a certain way, I really encourage you to give this time to yourself.
Tuesday, 30 August 2011
August 30, 2011 - Carpe Diem!
There are few people untouched by Jack Layton's parting message to Canada, or by the tributes so eloquently paid to him in the last week. Of all the calls to action and words of advice that have been expressed, something Mike Layton said has stuck with me. It's not a new idea, but it's a vital one. In his eulogy, he talked about how Jack knew conditions would never be perfect (the anecdote was about sailing), but you have to make the best of things the way they are, and just go ahead anyway. As Gracie Heavy Hand of the Dead Dog Cafe used to say, "Stay Calm. Be brave. Wait for the signs." I'm not one for "signs" from above or anything like that, but I am a big fan of following one's own intuition or gut feeling. The older I get, the more confidence I have in listening to myself.
It's so easy to live in fear: of failure, of poverty, of loneliness... but to do so is a terrible waste. I've been close to a number of people who have died far too young, so I am perhaps especially aware of how time can run out before you've realized your dreams.
A lawyer recently wrote in a mean-spirited letter to me that it was not reasonable that I was not earning an income. There is so much wrong with this statement. First of all, it is perfectly reasonable and part of my business plan to derive a living wage from my business in year 5, not year 3. To expect differently is to set yourself up for failure. Secondly, what's unreasonable about choosing to follow my passion instead of slogging away at a meaningless job? And finally, there are a lot of earnings to be had besides money. Doing this job isn't just how I spend my days; it's how I spend my life.
I chose to seize the day when I started Wise Daughters. I don't live up to my Carpe Diem motto every day, but I try to seize the majority of them. Because what is the alternative except to let them slip by? I'm not going to let that happen.
It's so easy to live in fear: of failure, of poverty, of loneliness... but to do so is a terrible waste. I've been close to a number of people who have died far too young, so I am perhaps especially aware of how time can run out before you've realized your dreams.
A lawyer recently wrote in a mean-spirited letter to me that it was not reasonable that I was not earning an income. There is so much wrong with this statement. First of all, it is perfectly reasonable and part of my business plan to derive a living wage from my business in year 5, not year 3. To expect differently is to set yourself up for failure. Secondly, what's unreasonable about choosing to follow my passion instead of slogging away at a meaningless job? And finally, there are a lot of earnings to be had besides money. Doing this job isn't just how I spend my days; it's how I spend my life.
I chose to seize the day when I started Wise Daughters. I don't live up to my Carpe Diem motto every day, but I try to seize the majority of them. Because what is the alternative except to let them slip by? I'm not going to let that happen.
Wednesday, 17 August 2011
August 17, 2011 - The Importance of Listening (in Business)
The other day, as I was informally sharing strategies with a sister entrepreneur, I realized just how crucial listening is to success in business. By listening, I mean a lot of things - collecting data and feedback, inviting suggestions, and actually listening to people's anecdotes. There is so much useful information to be gleaned!
By contrast, I think about a recent experience I had with Bell, where listening to my very legitimate beef seemed systemically impossible. The upshot of that episode was that Bell lost my business. A behemoth like Bell doesn't care, but the loss of even one customer to a business like mine has a negative impact worth avoiding at all costs.
So, ways of listening.... Technology has made it very easy to ask for and receive instant feedback. An example: I asked my Facebook fans what kind of knitting class they most wanted in October, and they answered "socks." Easy.
All kinds of software programs are both idiot-proof and free these days. Mail Chimp is fantastic for sending newsletters, and has great data-gathering features too. You can see who opens their email, how often, what they link to... it's a goldmine if you know what to do with the information. I was initially shocked to find that only about 40% of the people who voluntarily signed up for my newsletter bother to open it, but then I thought about how often emails I receive go straight to the delete folder. Sometimes I know I'm too busy to do whatever it is the email is proposing to me, but that doesn't mean I won't take a good look another time (point in case - theatre listings). My newsletter recipients have months where they are gung-ho and open the email repeatedly, and months when they don't. But unless they unsubscribe, I can assume they're content to be receiving my information. People often say, "I'm glad you get your newsletter, even though I haven't had time to come to a workshop lately." Staying connected to your customers is critical! We all want to feel a part of something.
Survey Monkey is another fabulously simple program that allows people to anonymously give feedback. I've sent out two annual surveys, and had a surprisingly high return rate. People are busy, but we all like to be asked our opinion, and will give it freely as long as we feel somebody on the other end is listening. Consumers are too smart to fall for trickery, so there is no benefit to offering a chance at a prize for joining an email list or answering a survey, in my opinion. Let your customer do it because they want to.
On the low-tech side, there is tried and true white/chalkboard. I have one in the shop where people can add their workshop suggestions, and I record and keep them. I also ask workshop participants to fill out a evaluation which ends with an invitation to suggest more workshop topics. People almost always take the time to do so. Just ask!
My final thought is this: customer service is all about the relationship. People are becoming less and less comfortable conversing without a screen, but that doesn't mean you shouldn't try. A lot of customers are only too happy to share stories with just a little prodding. About how their grandma used to make these... and how much their sister loved the... these anecdotes are the best market research tool of all. I discover all kinds of new things about why people are buying certain products.
And I can respond with tidbits about how something was made, or who made it, and the customer gets a story to go with their purchase.
By contrast, I think about a recent experience I had with Bell, where listening to my very legitimate beef seemed systemically impossible. The upshot of that episode was that Bell lost my business. A behemoth like Bell doesn't care, but the loss of even one customer to a business like mine has a negative impact worth avoiding at all costs.
So, ways of listening.... Technology has made it very easy to ask for and receive instant feedback. An example: I asked my Facebook fans what kind of knitting class they most wanted in October, and they answered "socks." Easy.
All kinds of software programs are both idiot-proof and free these days. Mail Chimp is fantastic for sending newsletters, and has great data-gathering features too. You can see who opens their email, how often, what they link to... it's a goldmine if you know what to do with the information. I was initially shocked to find that only about 40% of the people who voluntarily signed up for my newsletter bother to open it, but then I thought about how often emails I receive go straight to the delete folder. Sometimes I know I'm too busy to do whatever it is the email is proposing to me, but that doesn't mean I won't take a good look another time (point in case - theatre listings). My newsletter recipients have months where they are gung-ho and open the email repeatedly, and months when they don't. But unless they unsubscribe, I can assume they're content to be receiving my information. People often say, "I'm glad you get your newsletter, even though I haven't had time to come to a workshop lately." Staying connected to your customers is critical! We all want to feel a part of something.
Survey Monkey is another fabulously simple program that allows people to anonymously give feedback. I've sent out two annual surveys, and had a surprisingly high return rate. People are busy, but we all like to be asked our opinion, and will give it freely as long as we feel somebody on the other end is listening. Consumers are too smart to fall for trickery, so there is no benefit to offering a chance at a prize for joining an email list or answering a survey, in my opinion. Let your customer do it because they want to.
On the low-tech side, there is tried and true white/chalkboard. I have one in the shop where people can add their workshop suggestions, and I record and keep them. I also ask workshop participants to fill out a evaluation which ends with an invitation to suggest more workshop topics. People almost always take the time to do so. Just ask!
My final thought is this: customer service is all about the relationship. People are becoming less and less comfortable conversing without a screen, but that doesn't mean you shouldn't try. A lot of customers are only too happy to share stories with just a little prodding. About how their grandma used to make these... and how much their sister loved the... these anecdotes are the best market research tool of all. I discover all kinds of new things about why people are buying certain products.
And I can respond with tidbits about how something was made, or who made it, and the customer gets a story to go with their purchase.
Thursday, 4 August 2011
Aug 4, 2011 - Come Out, Come Out, Wherever You Are!
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